Tuesday, September 27, 2016

Cheap Street Shoot

OK, no...cheap doesn't mean that it is tawdry...cheap as in not expensive gear!  Well, lenses anyway.  The camera body is not inexpensive.  lol

Seriously though, we had a chance to visit Indianapolis and some other towns on the way back.  Light set of gear:

Olympus PEN-F (the not inexpensive part)
Olympus 40-150/4-5.6R lens (purchased used for $100)
Panasonic 14mm f/2.5 (purchased used for $139)

What is the point of the post?  To drill home the fact that it is not about having the best gear, the most expensive or newest.  It's about knowing the limitations of the gear and using to to its strengths.

I'm not the kind of person that likes to intentionally make shooting more difficult by using gear that is not optimum for the job at hand.  This just goes to show that street shooting with inexpensive gear is not only a possibility, but can be favorable/preferable.

Why?  Smaller camera, less intimidating to the subjects, less noticeable to the subjects.  Less weight than a pro grade/ f/2.8 lens set.  That kind of thing.  Anyway, here are the results from the weekend, using on the gear you see listed above.


Tuesday, September 13, 2016

Shooter's Block or Getting Out of the Rut

Writer's Block, Creative Block, losing interest, lost the spark...whatever you call it or however it happens to you, it is a frustrating thing.  Some people never get through it and just plain give up.  Some forever, others for a few years, some for a few weeks or days.

First remember, we ALL go through something like this at some point in time.  There is no shame in it.  Just recognize it and find a way to push through it and get that spark back.

Second, you are NOT ALONE.  At least, you don't have to be.  There are many photographers and creative types out there that can help you find the right thing for you that will re-spark your interest.

What I've done in the past to help me is:

  • Find a personal project.  I did Sceene In Windows, and am working on 8 Corners and delving into video production.  You can even become a photojournalist, like I have with my Visual Ohio project.  Visual Ohio has actually gotten me visibility, work, and licensing of some images.  I just had a call the other day for use of an image I took at an event last year for that organizations media packet.
    I then shoot street photography for fun/practice.
  • Sometimes you just have to step back from it.  By doing this, you'll find out what it is that really draws you to photography.  You'll start to get the desire to shoot again and when you do, what subject and how you shoot it can point you into a direction that will rekindle your interest.  Follow that path.
  • On the business side - find something that no one else offers - master it and sell like crazy.  Around here there are lots of people doing themed shoots.  Normally they are cosplay or steam punk themed shoots.  If you have a few good locations in mind-  these kinds of clients tend to have their own costumes and want nothing more than someone to accept and respect them.   I'm working on offering a new product, which is something similar to a living storyboard.  We get a client(s) who has a story they want to tell and we go through a whole series of images that resemble a movie storyboard.  Can be real or imaginary...but the point is, no one in my area is offering it.  Once I get that flow down and better video chops, I plan on offering that same storyboard concept, except in video format - like a 5-10 minute short.
  • You may need to find a new client base - corporate gigs are nice if you can get them, but I find that working with the same client for a long time, doing the same kinds of things can be very stifling on the creative side.  Forget outside the box, they generally don't want you even getting close to the sides of the box!!  As an artist - and yes, I definitely consider every one of us photographers as one - that kind of necessary but sometimes uninteresting work can lead to stagnation.  For those reasons, I do my personal projects, where the only limiter is either self imposed rules or none at all.  That is probably why I love street shooting so much.  All that "unknown" in front of you, not knowing what might happen that day.  Sometimes something special, other times - nothing at all.  What you can do though, is that the experimentation and creativity bleed into the other client jobs.
Again, trust that you'll get out of the rut, even the deepest one eventually.  You've got friends everywhere, lean on us and we'll help you get through it.