Showing posts with label Fuji. Show all posts
Showing posts with label Fuji. Show all posts

Friday, November 21, 2014

Fuji X100T - initial impression

Image courtesy of ©Fujifilm

I had the opportunity to use the Fuji X100T this weekend.   Thought that I would share my initial thoughts with you all.

Went down to the local camera store (Midwest Photo Exchange) and gave the X100T a good walk through.

For those that have read my previous article where I compared the X100s, X-T1, and the Oly OMD - you'll know why I picked the m43 camera over the Fuji.   The main issue was performance speed of the cameras and the auto focus.

The first thing I checked was the AF performance,  and Fuji had definitely made improvements here.  The lighting conditions were the same as the tests in the previous article.   However,  this time the Fuji had now of the back and forth shuffle that the X100s exhibited. The AF speed was still not as fast as the m43 camera,  but it was confident and sure.

In the hand,  the X100T felt solidly built.   The materials feel top notch and it felt right in my hand.  
Another great improvement is having the clicky, 1/3 f-stops directly on the aperture ring.  The grip on the aperture ring and the manual focus ring feel better as well and seemed easier to find and manipulate without having to look at it.  The rings had a feel almost like an old Nikon manual focus lens.   Just enough resistance to make precise adjustments without you feeling like you are fighting it.

The rear buttons on the case feel far better then previous iterations of the X100 series cameras,  too.
I did like the view finder as well.   I'm still liking the performance of the OMD EVF more,  but the Fuji EVF is excellent as well.  The obvious benefit of the Fuji is the OVF for those who like that. It also has improved with tons more info and customization.

My big take away is this question; why could Fuji  not have done this from the get go?   Had they done this camera with this implementation of the hardware feature and AF, they would have a ton more market share.  Let's not Monday morning quarter back it though, it is what it is.

Bottom line,  the X100T appears to be the best and most solid implementation in the series.   If you don't already have an X100, definitely get this one.  If you have the X100s, there might not be enough there for you to want to spend the money on the upgrade. Coming from the X100 might be a different story,  as the improvements are a lot more noticeable.

Again, with any camera purchase, generally a 2-3 generation time frame gives the camera manufacturer time to get larger improvements. That would apply here too when going from X100 --> X100T.

Saturday, March 15, 2014

Fuji X100s, Fuji X-T1, Olympus OM-D EM-5, Olympus OM-D EM-5 – My Comparison

Olympus OMD EM5
Image © Olympus

Fujifilm X-T1
Image © Fujifilm

Fujifilm X100s
Image © Fujifilm

From a previous post, you’ve heard that we sold off all out Fuji X cameras and got the Nikon Df.  We are happy to report that we are still very much pleased with the Nikon Df and use it whenever we can.
The Df is my daily carry camera – it is with me 95% of the time.  So what about the other 5%.   Those are usually those times when having  the Df is not practical.  I’ve been wanting/lusting after what the Fuji X100s has to offer.  I’ve only passingly handled the X100 and thought with all the improvements the X100s had to offer, it would be that much better.

Walking into my favorite camera store this recently, I had every intention of leaving with the X100s.  However, my friends there gave me the opportunity to use and handle the following cameras:
Fuji X100s, Fuji X-T1, Olympus OM-D-EM-5 and the Olympus OM-D E-M1.  I’ve been hearing a lot of good things about all these cameras and I could not pass up the opportunity to work with them all head to head.

I do not have sample images from all of the cameras, as this report is not as much about image quality as it is handling and performance speed. 
If we are honest, I think we know that the Fuji will have the IQ edge, especially in the realm of the hi ISO.  We will concede to that right now.
One of my main issues with the Fuji system has always been the speed at which the camera performs.  This includes powering up, waking from sleep, accessing menu items and AF speed and acquisition.

Let us have a quick rundown of the positives.

Fuji X100s
Feels great in the hand.
Solid build.
OVF is nice, clear and bright.  EVF is a great alternative to have.
Upgraded MF(compared to the X100) is much better to use.
Great 23mm f/2 lens

Fuji X-T1
Solid build.
Fit my hands like it was custom made for me.
EVF was comprehensive and responded quickly to orientation changes.
The top dials were solid and had a nice click to them. I did not think that I would accidentally knock any of them out of their position by accident.
It seems to be the fastest responsive Fuji X camera to date(accessing menus, powering up, waking from sleep).
Very quick AF in comparison to the other X cameras.
Great prime and zoom lenses.

Olympus OM-D EM5 and EM1
Very quick AF.
Solid build quality.
Good EVF.
Nice feel in the hand.
Great prime lenses.

Now let’s talk about what everyone wants to know – which is, when compared to each other, what do I think?

We need to level set/full disclosure and let you know what the shooting conditions were.
When using an ILC, the kit zooms were used(The ones that claim “world’s fastest AF” in the ads…lol).   For the Fuji, it was the 18-55mm f/2.8-4 OIS…the Olympus used the 12-50mm f/3.5-6.3.
Images were taken/AF performance tested inside the camera shop, which had fluorescent lights.  It was dim, but probably a little brighter than your average indoor environment.

Also, this is not a scientific test.  It is my learned observation and experiences that I am reporting on.

We are going to start with the Fuji cameras since the X100s was what I thought I wanted the most and the X-T1 is what everyone is currently talking about.  The AF speed on the X100s was still about the same as the X100, maybe a little faster.  It did seem a little more sure, but it did have quite a bit of front to back shuffle before locking into focus.  Once it got focus, it was almost always 100% accurate.   Unfortunately, the X-T1 suffered from the same front/back shuffle before locking focus.  Yes, it is very fast – probably the fastest AF I’ve seen in any X camera to date….but Fuji still seems to have a way to go on getting the AF to something great and not just adequate.  I was disappointed in this behavior…which is sad because I so much wanted Fuji to be better than what it was.  On the plus side, it is nice that the X-T1 can track focus in a continuous shooting mode.

One of my biggest handling issues with the Fuji X cameras are AF point selection.  I’ve gotten so used to my DSLRs and the 4 way pad being dedicated to picking the AF point – it was one of the reasons I had for deciding to drop my X-E1.  This still is an issue here for both the X100s and the X-T1.

Both the X100s and X-T1 felt good in the hand, albeit they have different ways of gripping them.  The X-T1 is beefier and felt very natural to hold, especially coming from using a DSLR.
Moving on to the Olympus offerings of the OM-D EM-5 and the OM-D EM1.  I want to begin by saying that I was never a fan of m43 in the past.  I always had a preconceived bias against it because of the smaller sensor size.  That has all changed now that I was able to handle one and see what it is all about.

Yes, we cannot get around physics and there are just some things that a smaller sensor just cannot do.  I’ve noticed that there does not seem to be as large a dynamic range as the Nikon or Fuji cameras I’ve shot in the past.  I will say that I was impressed at just how useable the files were from the Olympus cameras up to ISO 2000.  It starts getting a little rougher around ISO 3200/6400…but if you nail exposure and don’t have a lot of pitch black areas….you can still have a good JPG to work with.

Now… getting to what really impressed me on the EM5/EM1.  The AF performance was almost instantaneous.  I mean…I could not believe what I was seeing here.  Same lighting conditions and with a slower (aperture wise) kit zoom lens, the Olympus nailed focus immediately and without any back/front dance as was seen in the Fuji offerings.  I bounced all over the place grabbing focus at different distances and at different focal lengths.  It did not seem like I could trip up the Olympus AF.  Even with the contrast detect only AF of the Olympus OM-D EM-5 it was direct, to the point and accurate.  I was surprised here…but in a very good way.  I heard people before praising the AF performance, but I did not think it to be this good.

The speed also moves over into the menu usage and boot up times as well.  The menu systems run very quick and smooth.  They are a bit deep, lots of options and they are not in any way similar to what I’m used to with my Nikon or Fuji menus.  Startup from power off to on was very quick.  Not DSLR instant, but way better than the Fuji cameras – not including the X-T1.  Fuji listened and boosted the start up time for the X-T1.  Good job on that.  

At the end of the day, what does all this mean??  It means that I walked out of the camera store with an Olympus OM-D EM-5 and 12-50mm kit.

Image © Olympus


Do I still want a Fuji X100s?  Well, yeah...maybe in the future.  However, by the time I am ready for that - Fuji may very well have a full frame X200 to replace the X100s....at least I'm hoping that is the inevitable direction.
EM5 12-50/3.5-6.3
1/30, f/5.3, ISO 2000
Want more information?  OK…lets talk about it.

When comparing the above systems, the Olympus was the most DSLR like in looks and control.  The only thing that the Fuji X offerings had a resounding lead on over the Olympus was in sensor size and hi ISO image quality.  The Olympus was better in almost every respect beyond that.  And at base ISO - the Olympus m43 sensor is doing just fine.  The image examples on this page should let you see that.

EM5, 12-50/3.5-6.3
1/20, f/6.3, ISO 2000
Add to this, the fast prime lenses for the Olympus system are way smaller, and can be found cheaper never hurts.  I even preferred the EVF of the Olympus over that of the Fuji X-T1.  Yes, the Fuji has more unique features, but I thought the smearing of the Olympus was not as pronounced in the low light shooting conditions as the Fuji.  Honestly, I still prefer an OVF…but those seems to be looking more and more like a feature we will see less of as we progress into the future.
In my mind, and for my way of shooting, if I need extreme low light, super high ISO performance, I’ve got my Nikon Df/D700 to choose from.  The Olympus gives me a very responsive performance machine in a smaller package.

EM5, 17/1.8
1/640, f/2.8, ISO 100
I was honestly surprised I walked out of there with an m43 camera.  I’ve shot with it for only a few days, but I am so happy with this cameras performance at this point.  I did have a slight moment of regret at first, when I ran through an initial set of images.   For some reason, I was not getting that "pop" or "wow factor" that I expected from the images.  I thought that I was perhaps missing something as this is a new camera system to me.  After a few days of research, I did realize 2 things.  1 - optics on the OM-D matter.  The kit 12-50/3.5-6.3, while convenient and weather sealed is not the sharpest or most contrasty lens.  I noticed an immediate increase in IQ when I put on the 17/1.8 or the 45/1.8 prime lenses.  2 - for some unknown reason, Olympus gives you the OM-D cameras setup as base as possible.  I mean, they have a higher jpg compression on by default and the default noise reduction is a bit much as well.

EM5, 12-50/3.5-6.3
1/80, f/5.6, ISO 1600
Keep an eye out for a future post where I discuss how I setup the OMD EM5 to be optimized for the way I shoot.  There are quite a few steps, but once its done, you never have to do it again.

EM5, 17/1.8
1/60, f/4, ISO 640
And to end this all out - here is a random thought from me about mirrorless and the US market.   This is just my theory and is in no way scientific.
When I look at the mirrorless camera offerings, the majority of them looked a lot like the point and shoot style cameras we have been seeing for years.  I think this hurts their perception because for years "professionals" used DSLRs and they have a certain look to them.
Now that entry level DSLRs are sometimes less expensive than some point and shoots, no one wants to have their "pro" camera mistaken for a point and shoot...thus the mirrorless cameras don't get the marketing credibility that the DSLR still has here.

EM5, 17/1.8
1/1250, f/4, ISO 100
I think Olympus saw this and when they went from the PEN design to the OM-D design, they will get a lot more of the casual users accepting it a "pro" level body because of the design.  I think Fuji has understood this too and thus the look of the X-T1 will make it a more attractive option.
Once the everyday folk understand that the mirrorless camera can come in many shapes and sizes, they will be more widely adopted.  Again...just a theory, and a fraction of the reason that mirrorless is having a rough go of it here in the states.

Monday, November 11, 2013

We Are Back To Being An All Nikon Shop! Find Out Why Inside.

The New Kid On The Block - Coming To Us Early December 2013

For those of you have that have been following the blog, you know that we have been using Fuji's new X series cameras for some of our work and for personal projects.
Through out the post here, we will show you some of the great moments we captured with this gear.

Hubbard Bar and Grill
Fuji X-E1, Fuji 35mm f/1.4R
It has been a very good run but in the end Nikon is going to win out. The Fujifilm gear is great with a good sensor and a spectacular ergonomics. The lenses are top notch and you should expect nothing less from Fuji as they make great medium format lenses and have done so for years.
There has always just been something with Nikon that has always resonated and felt right for me. With the recent announcement from Nikon regarding their new DF camera, this will be the one for me that I wish the Fuji would have been.

Dee Snyder Zombified
Fuji X-E1, Fuji 55-200mm f/3.5-4.8 OIS
While I was certainly able to get some really great images from the Fuji gear,  there were always some lingering deficiencies that kept it from being the number one camera in our kit.
These included such things as slow wake up times and non-traditional continuous focusing system and a slow response contrast detect auto focus.  We here at Best Light Photographic do a lot of sports and action photography, and while the Fuji gear produced excellent image quality, at the end of the day Fuji could just not fit all of our needs the way that the Nikon DSLR gear and the new DF camera can.

Hat Shop
Fuji X-E1, 18mm f/2
Please know that the Fuji cameras are great for what they can do and are great for those that can get the best out of them. We have nothing but love and respect for the time and the images that the X series camera gave to us. You never know, in the future there may be room in our camera bag for maybe an X100s or even an X20!

Helping Prepare For The Cold
Fuji X-E1, 35mm f/1.4R
So really, the big announcement is we are all back to being 100 percent Nikon cameras.
This was not a decision that was made lightly,  and while the Fuji X cameras were an 8 out of 10 for our perfect take everywhere camera the Nikon DF is a 9 out of 10. There's just so much great Nikon glass out there that it makes the decision to go back to all Nikon the best logical choice.
If you want to learn more about the new Nikon DF camera here's a link to their official website with all the details.

Ohio State Fair
Fuji X-E1, Fuji 18mm f/2
For years we have been looking for a camera the harkins back to the days of simple image creation. Something uncluttered by extra features that we just simply don't need and a control structure that is simple to use has all of the exposure options readily available and not buried in menus and is in a small form factor that can go everywhere and anywhere. Most important is image quality and the ability to get the shot with minimal fuss. While we think that Fuji has hit a homerun in this regard we feel that Nikon hit a grand slam. The fusion of the classical control scheme from their original F and FM series cameras with the new DSLR digital format and exceptional Nikon D4 sensor make this an almost perfect still image making machine. 

If you want to see more of out X-E1 images, check out our Flickr stream.

This is really just our opinion and you may feel the same or you may feel different.
At the end of the day all we want is a masterfully crafted tool to help us create the best possible images for our own personal satisfaction and to the satisfaction of our clients.


Monday, July 22, 2013

Outer Banks 2013 - Keeping It Simple

I've posted previously regarding family vacations/travel and photography.  In the post Travel Photography - What To Take, I discussed how to get the best images you can with minimal gear.

Took a family vacation to the Kill Devil Hills, North Carolina - the infamous "Outer Banks" or "OBX".

I switched up the gear a little bit this time and instead of going all Nikon D50, I took the relatively new acquisition of the Fuji X-E1 and the Nikon D50.  The X-E1 handled the ultra wide to moderate range and the D50 took the moderate to telephoto.  Why go this way?  Well, the Fuji 55-200mm OIS lens was not released at the time of this vacation, so the Nikon was still required.

Gear List:
Nikon D50
Nikon 55-200mm f/4-5.6 VR
Fuji X-E1
Fuji 18mm f/2, 35mm f/1.4R
Rokinon 8mm f/3.5 Fisheye in Nikon mount/Fotodiox Nikon to Fuji lens adapter
Joby Gorillapod for DSLR
Nikon SB-26

Did not need the speed light for exposure on this trip.I did use it for another reason, which I will explain later.

We tend to travel and find our own way around.  We do take some of the chartered stuff, but we don't plan out the entire trip and have a schedule for everything.

Nikon D50
Nikon 55-200mm f/4-5.6 VR
Ok, so I told you earlier that the SB-26 was used but not for the reasons you would expect.  The family wanted the beach and ocean in the background.  I placed the Nikon D50 on the Gorillapod and attached it to a hand rail leading into the beach.   Set the timer and fired it off.  The camera was sufficient distance away that we could not see the small light on the camera body that let us know when the timer went off.  Instead, I set the camera on manual and dialed in the correct exposure.  I then placed the SB-26 on top of the camera and placed it in manual mode as well, popping off at 1/64th power.  We just needed a confirmation on when the shutter was released.  We go the perfect shot in 3 tries!!

Fuji X-E1
Rokinon 8mm f/3.5 Fisheye

Fuji X-E1
Rokinon 8mm f/3.5 Fisheye

Fuji X-E1
Rokinon 8mm f/3.5 Fisheye
 The previous 3 shots were captured using the Rokinon 8mm Fisheye.  It is in Nikon mount and uses a Fotodiox adapter.  It has an aperture ring, so exposure in the camera is automatic!  Just set the aperture ring and the X-E1 will adjust the ISO and shutter automatically for you.   I used it just to get a different effect.  I very well could have gotten great shots with the Fuji 18mm, and I did...but sometimes you experiment and do some things a little different.
I chose to go with the Rokinon in Nikon mount because it can then also work with my Nikon D300.  Double duty is always good.

It is also a manual focus lens, so I get a large depth of field by putting the lens at f/8 and setting the focus ring to about 1.5 ft.   With this setting you should get everything from a foot and a half to infinity into focus.
Fuji X-E1
Fuji 35mm f/1.4R
Couldn't resist!  The above shot were some of the youngsters riding inner tubes down the sides of some of the dunes.

Fuji X-E1
Fujinon 18mm f/2
In Camera Panorama
Playing about with some of the in camera features, the Fuji X-E1 has the ability to capture panoramas in camera.  Just set it to that mode and follow the on screen guidance.

Nikon D50
Nikon 55-200mm f/4-5.6 VR
The shot above was helped tremendously by me going out and doing my "visual push ups" and taking up street shooting.  It doesn't hurt studying people like Fan Ho or Henri Cartier-Bresson....understanding their methodology and applying it.  I walked the beaches near our rental and treated it like a street shooting assignment.

Nikon D50
Nikon 55-200mm f/4-5.6 VR
This crab claw in the sand, most likely left here by a seagull after a meal, caught my eye as a great still life.  The contrast of the course sand/gravel with the smoothness and bleached out look of the claw really pulled my attention.  This is a situation where the VR came in handy.  It was bright, but I was standing straight up and shooting down at 200mm.

Nikon D50
Nikon 55-200mm f/4-5.6 VR

Nikon D50
Nikon 55-200mm f/4-5.6 VR
Nikon D50
Nikon 55-200mm f/4-5.6 VR
The 3 images above of the horses were taken at sunset.  These are wild spanish stallions that roam this area.   Back when America was first getting settled, the Spanish explorers would come into this area, and their large boats would get stuck in the shallow coastal waters.  They started throwing anything of weight overboard....and some of those things were the horses.  The ones that were never recovered, lived off the land and went back to their wild roots.
This is another situation where the VR really helped.  Most of these were shot at ISO 400 on the D50, which is still very usable.
The first 2 images were very typical of what you could expect to see, and the sunset light really helped pull out texture in the horses coats and the scenery.  We specifically asked for the sunset tour times for this very reason. Sometimes a little planning does help out!

The last image was shot on our way into the beach area.  The back lighting was so intense and the part of the beach we were on did not allow you to stop, so this was captured as a silhouette on purpose.   Sometimes you only have a split second to get that capture!

Fuji X-E1
Fujinon 35mm f/1.4R
In Camera Panorama
This is Currituck Light House.  We ended up here after just driving around exploring.  This is a situation where some of the in camera features save your bacon.  I only had the Fuji 35mm with me on the X-E1 and I could not get far enough back with an effective field of view of ~53mm.  So, I put the camera in Panorama mode and got this shot.

Nikon D50
Nikon 55-200mm f/4-5.6 VR
Here, we took the dolphin tour.  Spent most of the time racked all the way out to 200mm.  A lot of specular highlights from the water caused some havok with the meter.  So, we shot these in manual mode.  After looking at some of the shots, I'd say that the D50 was giving us a good under exposure of 1/3 to 2/3 of a stop under in aperture priority.  To not have to deal with the exposure fluctuation, we went right into manual mode and left it there for the duration.

Nikon D50
Nikon 55-200mm f/4-5.6 VR

This image is of an ospreys nest. There were three babies in the nest.  This was an unexpected find on the dolphin boat tour.

Fuji X-E1
Fujinon 35mm f/1.4R
We also made a trip to the NC Aquarium.  It is not large but a visually impressive show of sea life and indigenous OBX wildlife. 

Monday, February 4, 2013

Fuji X-E1 and Discovering Dinosaurs!!

As you know, I have recently purchased a new "take anywhere" camera.  Wanting more than the Fuji X10 could provide me(the X10 is a GREAT camera - but X-E1 ticks all the marks on the checklist) I picked up the Fuji X-E1 with the 35mm f/1.4 and the 18mm f/2 lenses.  This package is only slightly larger than my X10 was and I can still fit everything into my Maxpedition EDC Versipack.  Stay tuned for a future post on what I did to convert my Versipack into a camera bag and the reasons I chose this bag in the first place.

I've been using the X-E1 more frequently, in hopes of being able to get it to the proficient levels I am with my DSLR gear.  I'm close, but not there yet - however, I am already seeing the great results from this camera that I was hoping for.

First off - there have been 2 firmware updates since I first picked up the X-E1.  Auto focus performance has gotten better, especially in lower light situations.  Secondly - for the price, the Fujinon XF lenses are absolutely wonderful!  Great sharpness, light, and very capable of doing what I want them to do.

I decided to put the X-E1 and the 18mm to the test.  My daughter and nephew were interested in an exhibit that was coming to town called Discover The Dinosaurs.  It was being held inside the Columbus Convention Center.  Not sure what to expect, I decided to bring only the X-E1 and see how it fared.  At best, they would have all the lights in the hall on and it would be decent to shoot in - OR - it would be dark with dramatic lighting.  As you can see from the images, the exhibitors went for the dark, theatrical lighting look.

A tough shooting situation to be sure, but the X-E1 and the 18mm were up to the task!

Check out some of my favorite images below:







Monday, December 3, 2012

My Review Of The Fuji X-E1

I was fortunate enough to have gotten to my local retailer a few weekends ago and they had the Fuji X-E1 body in stock.  They did not have the 18-55mm kit lens, but I really wanted the 35mm f/1.4 anyway. 
I'm sure the kit lens will be great but I've recently gotten a great appreciation for fast prime lenses.
Fuji X-E1, Fujinon 35mm f/1.4R
1/3800, f/2.8, ISO 800, 1:1 In-Camera B&W+G
For those who love specs and want to see images of the camera and lenses - check all you can digest at Fuji's Official Site.

First impressions.  

I was really surprised how light the camera and lens are compared to my DSLRs, but the whole kit feels solid.  It is also pretty quiet as compared to a professional single lens reflex camera, but no where near as quiet as the X100 or the X10, which have leaf shutters.

The auto focus was not as fast as a DSLR, but it was very responsive and quick enough for its intended purpose(I'm using it as an "always with me" camera for shooting family and street stuff....although I did use it as a supplemental camera on a few jobs and used in the right way produced great files)
Fuji X-E1, Fujinon 35mm f/1.4R
1/50 f/4, ISO 320, 1:1 In-Camera B&W+G
I really liked being able to use the aperture ring on the lens.  I do wish that the click stops on the aperture ring were a little more stiff, as I did find myself bumping the aperture around at times just holding the camera. I just have to get used to it.

Coming from the X10, I like having 7 custom settings banks.  Right now I only have three setup.  I wish that Fuji would have made the custom banks like they did on the X10, where it keeps the crop ratio as part of the settings.
Fuji X-E1, Fujinon 35mm f/1.4R
1/50, f/2, ISO 1600, 1:1 In-Camera B&W+G
Another odd thing is that you have to go into the regular menu to setup the custom banks.  You cannot do it through the Q menu.  I was hoping that it would be like the X10, and you can set it from wherever you are.  Not bad, just something different to get used to.

It will also take some getting used to having to press the AF button in order top move a focus point. I'd rather press a function button to access the macro mode and have the four cross buttons be for changing the focus point.  I am going to write to Fuji and see if this is something that can be changed via firmware (like they are going to listen to a nobody like me!  Lol).

Like you've heard from just about everyone else, this is a great camera to shoot with.  It reminds me of the old film camera ergonomics, but with all the benefits of digital.  Just using it is fun. 
I've not shot a lot with it, but it will definitely be my new take everywhere camera.  I took it top the park and it never once got in my way.  It just took great pictures, with great clarity and nicely saturated colors.  What you would expect from Fuji.  There is just something about it that makes capturing images fun, I cannot put my finger on it yet.  I've not had this kind of feeling since I purchased my first DSLR, the Nikon D50.
When I think about what I like, the following come to mind.
  • The feel of the shutter button and the solidness of the power switch.
  • The sound of the shutter mechanism when you take an image.
  • The solid feel/construction of the body and lens.
  • The look of the JPEG images straight out of camera is amazing.  I've found that I need very little post processing on them.
  • The B&W mode allows me to tweak it the way I want - and I can get 95% of what I need in camera.

The lens hood was a bit of a disappointment. It seems like it does not attach to the lens solid and the rubber cap wants to come off just getting the camera out of the bag. Not a deal breaker, just something to keep in mind.
Fuji X-E1, Fujinon 35mm f/1.4R
1/350, f/8, ISO 200, 1:1 VELVIA Large 3:2
The EVF works great.  It is interesting to have an exposure responsive display.  It definitely makes composing and adjusting settings easier.  I did notice it get a little grainy in the shadows at times, but this is me just being critical for this reviews sake.  It is nothing that would effect your decision making as far as exposure goes.    Just keep in mind thought that it does appear that the EVF is not always accurate.  By this I mean it seems like the X-E1 will sacrifice accuracy of exposure to make sure that you have a visible view of the subject in the finder.
In those situations, I like having the live histogram in the viewfinder.

For those interested(and there seems to be a lot of interest in this next subject on the forums), here are the settings I have setup for my X-E1 right now:
  • C1
    -- Film Simulation: VELVIA
    -- Size and Crop:  Large & 3:2
    -- Sharpness:  +1
    -- ISO: 200
    -- Everything else is default
  • C2
    -- Film Simulation: B&W +G(in camera green filter)
    -- Size and Crop:  Large & 1:1
    -- Sharpness: +1
    -- Shadow:  +2
    -- Highlight: +2
    -- ISO: 200

Overall I'm just very happy with what Fuji had churned out with the X-E1.  It makes shooting a fun experience.